Hills and Marsh

I'm working to stay loose, finding painting wet into wet seems to help that, it's not as controllable. I have been looking at the distant hills in the mornings, for several months now, thinking that I wanted to try to paint them; this morning seemed as good a time as any...Once I had them in place I was left with trying to figure out what to do with the foreground; marsh was where I was so I plugged that in, using a bit of artistic license. What I am finding is that once I get home and close up to the painting, I start to add just a "few" details and that's when I start over-working it.